Allgemein, Blog, Blog 2023, TC 2023

Phase 1: Wabisabi (2023) – Zurichย 

Performance, 20 min.

About Phase 1 in Zurich 2023

This year, in 2023, the first phase of the Transcultural Collaboration (TC) program lasted four weeks and took place at the Zurich University of the Arts. Being presented with different input lectures around the topic of protection the TC-participants dealt with current challenges to democracies all around the world, the colonial legacies that persist in Switzerland, exchanged with several artists connecting their practice to an understanding of community and collaboration and did some local โ€œfield tripsโ€ around the city of Zurich. The participants shared their own artistic practices through different mediums such as performances, talks and meditation exercises.ย 
The time spent together was intense. Participants still had to get to know each other, a shared language and understanding had yet to be found, common ground needed to be established, differences acknowledged, and one’s own place in the group needed to be found.ย 
After two weeks of inputs, getting to know each other and discussing the possible guidelines for collaboration the participants got to work on smaller group projects during two weeks.ย 
The works all connected over the topic of protection and found different ways to approach the questions of what protection actually means, which conditions create safety and when protection can tilt into over-protection and oppression.
The result of these collaborative works can be seen in the following.

๐˜๐˜ณ๐˜ฐ๐˜ฎ protection ๐˜ต๐˜ฐ connection ๐˜ต๐˜ฐ communication, ๐˜ข ๐˜ด๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ข๐˜ง๐˜ง๐˜ฆ๐˜ค๐˜ต๐˜ด ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ. ๐˜›๐˜ฉe ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ Wabisabi, conceived and performed by Christian Del CONTE, Senri SUZUI, Raymond FREY and Guan-Ying HU, ๐˜ญ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ถ๐˜ฅ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ข๐˜ค๐˜ฆ ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ being exposed to the uncanniness ๐˜ฐ๐˜ง ๐˜ฅ๐˜ฆ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ต๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ. Based on the ๐˜‰๐˜ˆ๐˜‰๐˜Œ๐˜“ ๐˜›๐˜–๐˜ž๐˜Œ๐˜™ ๐˜š๐˜›๐˜–๐˜™๐˜  the group reflected on different modes and ๐˜ฃ๐˜ฆ๐˜ฉ๐˜ข๐˜ท๐˜ช๐˜ฐ๐˜ณ๐˜ด protection brings about. The performance was set in a installation made out of ๐˜ต๐˜ธ๐˜ช๐˜จ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ต๐˜ต๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜ด, associated with “๐˜ฃ๐˜ถ๐˜ฏ๐˜ฅ๐˜ญ๐˜ฆ” ๐˜ข๐˜ฏ๐˜ฅ “๐˜ค๐˜ฐ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ”, ๐˜ข๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฆ๐˜ฅ๐˜ช๐˜ถ๐˜ฎ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ด๐˜ค๐˜ณ๐˜ช๐˜ฃ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ข๐˜ฏ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฏ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜ค๐˜ฉ๐˜ฐ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ข๐˜ด๐˜ช๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ. The accompanying musical ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆ-๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ณ๐˜ฉ๐˜บ๐˜ต๐˜ฉ๐˜ฎ ๐˜ฌ๐˜ฆ๐˜ฆ๐˜ฑt ๐˜จ๐˜ณ๐˜ฐ๐˜ธ๐˜ช๐˜ฏ๐˜จ during the performance and worked like an intensifier while the performers slowly started to cut down the installation in a ritual act. R๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ฏ๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ต ๐˜ฃ๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ humanity nowadays the performance posed the question: What i๐˜ง ๐˜ธ๐˜ฆ ๐˜จ๐˜ฐ ๐˜ฃ๐˜ข๐˜ค๐˜ฌ ๐˜ต๐˜ฐ ๐˜ข ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ฐ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆโ€ฆ. ๐˜›๐˜ฉ๐˜ฆ creative ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด involved c๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ต๐˜ณ๐˜บ๐˜ฐ๐˜ถ๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ช๐˜ด๐˜ค๐˜ถ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ๐˜ด. The final presentation was the first and only full performance, therefore the group had to figure out a way to rehearse leaving the structure intact for the actual performance.