Performance, 20 min.
About Phase 1 in Zurich 2023
This year, in 2023, the first phase of the Transcultural Collaboration (TC) program lasted four weeks and took place at the Zurich University of the Arts. Being presented with different input lectures around the topic of protection the TC-participants dealt with current challenges to democracies all around the world, the colonial legacies that persist in Switzerland, exchanged with several artists connecting their practice to an understanding of community and collaboration and did some local โfield tripsโ around the city of Zurich. The participants shared their own artistic practices through different mediums such as performances, talks and meditation exercises.ย
The time spent together was intense. Participants still had to get to know each other, a shared language and understanding had yet to be found, common ground needed to be established, differences acknowledged, and one’s own place in the group needed to be found.ย
After two weeks of inputs, getting to know each other and discussing the possible guidelines for collaboration the participants got to work on smaller group projects during two weeks.ย
The works all connected over the topic of protection and found different ways to approach the questions of what protection actually means, which conditions create safety and when protection can tilt into over-protection and oppression.
The result of these collaborative works can be seen in the following.
๐๐ณ๐ฐ๐ฎ protection ๐ต๐ฐ connection ๐ต๐ฐ communication, ๐ข ๐ด๐ฎ๐ข๐ญ๐ญ ๐ค๐ฉ๐ข๐ฏ๐จ๐ฆ ๐ข๐ง๐ง๐ฆ๐ค๐ต๐ด ๐ฆ๐ท๐ฆ๐ณ๐บ๐ต๐ฉ๐ช๐ฏ๐จ. ๐๐ฉe ๐ฑ๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ฏ๐ค๐ฆ Wabisabi, conceived and performed by Christian Del CONTE, Senri SUZUI, Raymond FREY and Guan-Ying HU, ๐ญ๐ฆ๐ฅ ๐ต๐ฉ๐ฆ ๐ข๐ถ๐ฅ๐ช๐ฆ๐ฏ๐ค๐ฆ ๐ต๐ฐ ๐ฆ๐น๐ฑ๐ญ๐ฐ๐ณ๐ฆ ๐ข๐ฏ๐ฅ ๐ฆ๐น๐ฑ๐ฆ๐ณ๐ช๐ฆ๐ฏ๐ค๐ฆ ๐ฑ๐ฆ๐ข๐ค๐ฆ ๐ข๐ง๐ต๐ฆ๐ณ being exposed to the uncanniness ๐ฐ๐ง ๐ฅ๐ฆ๐ด๐ต๐ณ๐ถ๐ค๐ต๐ช๐ท๐ฆ ๐ฑ๐ณ๐ฐ๐ต๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ. Based on the ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐ the group reflected on different modes and ๐ฃ๐ฆ๐ฉ๐ข๐ท๐ช๐ฐ๐ณ๐ด protection brings about. The performance was set in a installation made out of ๐ต๐ธ๐ช๐จ๐ด ๐ข๐ฏ๐ฅ ๐ค๐ฐ๐ต๐ต๐ฐ๐ฏ ๐ต๐ฉ๐ณ๐ฆ๐ข๐ฅ๐ด, associated with “๐ฃ๐ถ๐ฏ๐ฅ๐ญ๐ฆ” ๐ข๐ฏ๐ฅ “๐ค๐ฐ๐ฏ๐ฏ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ”, ๐ข๐ด ๐ต๐ฉ๐ฆ ๐ฎ๐ฆ๐ฅ๐ช๐ถ๐ฎ ๐ง๐ฐ๐ณ ๐ฅ๐ฆ๐ด๐ค๐ณ๐ช๐ฃ๐ช๐ฏ๐จ ๐ฎ๐ข๐ฏ๐ฌ๐ช๐ฏ๐ฅ ๐ข๐ฏ๐ฅ ๐ฏ๐ข๐ต๐ถ๐ณ๐ฆ, ๐ข๐ฏ๐ฅ ๐ฆ๐ค๐ฉ๐ฐ๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ ๐ฃ๐ข๐ด๐ช๐ด ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐ด๐ต๐ฐ๐ณ๐บ. The accompanying musical ๐ต๐ณ๐ข๐ฏ๐ค๐ฆ-๐ญ๐ช๐ฌ๐ฆ ๐ณ๐ฉ๐บ๐ต๐ฉ๐ฎ ๐ฌ๐ฆ๐ฆ๐ฑt ๐จ๐ณ๐ฐ๐ธ๐ช๐ฏ๐จ during the performance and worked like an intensifier while the performers slowly started to cut down the installation in a ritual act. R๐ฆ๐ง๐ญ๐ฆ๐ค๐ต๐ช๐ฏ๐จ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ข๐ฏ๐ค๐ช๐ฆ๐ฏ๐ต ๐ฃ๐ช๐ฃ๐ญ๐ฆ ๐ข๐ฏ๐ฅ humanity nowadays the performance posed the question: What i๐ง ๐ธ๐ฆ ๐จ๐ฐ ๐ฃ๐ข๐ค๐ฌ ๐ต๐ฐ ๐ข ๐ต๐ช๐ฎ๐ฆ ๐ธ๐ฉ๐ฆ๐ฏ ๐ต๐ฉ๐ฆ๐ณ๐ฆ ๐ธ๐ข๐ด ๐ฏ๐ฐ ๐ญ๐ข๐ฏ๐จ๐ถ๐ข๐จ๐ฆโฆ. ๐๐ฉ๐ฆ creative ๐ฑ๐ณ๐ฐ๐ค๐ฆ๐ด๐ด involved c๐ฐ๐ถ๐ฏ๐ต๐ญ๐ฆ๐ด๐ด ๐ต๐ณ๐บ๐ฐ๐ถ๐ต๐ด ๐ข๐ฏ๐ฅ ๐ฅ๐ช๐ด๐ค๐ถ๐ด๐ด๐ช๐ฐ๐ฏ๐ด. The final presentation was the first and only full performance, therefore the group had to figure out a way to rehearse leaving the structure intact for the actual performance.