Thank you for visiting the Group Works section. We will be back soon with new collaborative works from this year’s participants. Until then, please have a look at last year’s Group Works, as well as their final presentations during the Hot Pot Festival.
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The Net[t] at Clockenflap
The Net[t] at Hong Kong’s Music & Arts Festival Clockenflap
27 – 29 November 2015
Final Presentation
A series of practices around the process of disappearing – physically or metaphorically, temporarily and at least partially
Outdoor Video installation by Mayumi Arai & Nina Willimann
Claustrophobia
Hot Pot – Spicy Little Art Festival Site specific two-room multimedia installation by Liane Mah, Philipp Spillmann, Ma Haijiao, Tobias Fandel Saturday, 21 November, 5pm Kai Tak Campus, Academy of Visual Arts “absense” invites you to experience a very unusual spatial performance situation. How do your physical feeling and your thoughts affect your perception of space, movements, sounds and not least images and words? What can you see, what can you hear and how do you deal with it? Does your cognition leads you to new aesthetical experiences by reflecting the absence? https://vimeo.com/151017337 https://vimeo.com/152030410 A two-room installation, video documentary, room two, Liane Mah (performance), Ma Haijiao (video), Tobias Fandel (sound) absense/ intense days. Long nights. Composing, cutting, dancing, hammering, painting the walls. Claustrophobia. A feeling very typical for Hong Kong. A psychological reaction to a suffocating situation. A physical reaction to the suffocation of modern live. Modern livestyle. Routine. Spaces and possibilities to move. In our work we started to dig deeper in the topic of noise which brought us step by step to the topic of claustrophobia, which we explored by text, sound, movie …
Hot Pot hot hot
Hot Pot – Final Dinner
HOT POT – Spicy Little Art Festival
What happens if 22 artists from Asia and Europe from a wide range of art and design disciplines are collaborating for 14 weeks? HOT POT – Spicy Little Art Festival proudly presents the final works of 6 art collectives, an explosive blend of cultural and artistic ingredients from Hong Kong, Mainland China, Taiwan, Japan, Switzerland, Germany, Austria and Romania. Come and taste two days of hard-boiled, finger lickin’ crisp or tenderly melting performances and installations.
Final. The Net[t] – Reactive Performance
The Net[t] proposes an immersive experiment on our reflections about the topic of human connections.
HOT POT at AVA/Kai Tak Campus
Performances & Installations by 5 art collectives: “Ab(sence)”, “Tutu & Ida in Hong Kong”, “How to Disappear (Almost Completely)”, “Fucking Dead Banana”, “!?tahw” Afterparty with DJ Yao! Keep it boiling with drinks, food and dance till late!
Saturday, 21 November, Kai Tak Campus, Academy of Visual Arts
HOT POT – Spicy Little Art Festival proudly presents the final works of 6 art collectives, an explosive blend of cultural and artistic ingredients from Hong Kong, Mainland China, Taiwan, Japan, Switzerland, Germany, Austria and Romania. Come and taste two days of hard-boiled, finger lickin’ crisp or tenderly melting performances and installations.
HOT POT at Connecting Space
Friday, 20 November, Connecting Space Hong Kong
Performance: “The Net[t]”. DJ-Set by DJ Sniff
HOT POT – Spicy Little Art Festival proudly presents the final works of 6 art collectives, an explosive blend of cultural and artistic ingredients from Hong Kong, Mainland China, Taiwan, Japan, Switzerland, Germany, Austria and Romania. Come and taste two days of hard-boiled, finger lickin’ crisp or tenderly melting performances and installations.
UAKTI – Solo Recital on Bass and Contrabass flute by Matthias Ziegler
Recital by Swiss flautist Matthias Ziegler
This recital features the world-renowned Swiss flutist Matthias Ziegler and his very unique amplified contrabass flute. A solo recital, in which Ziegler use his amplified contrabass flute to perform a program of musical works which includes contemporary extended techniques and amplified techniques enabling listeners to hear sounds that they never been heard.
Amplifying the flute in a particular way makes it possible to increase the volume of the micro sound structures inside the flute to an audible level. It is like looking at the instrument through a magnifying glass. There is a whole orchestra inside the flute which opens new sound worlds for composers and improvisers.
Humans of TC #8
Haijiao Ma: What do you think about Hong Kong?
!?tahw
I think you’re serious. Fishes in plastic bags don’t move a lot.
Plastic bag top left. Two fishes. Moving fast.
Plastic bag middle right. One fish. Moving slowly.
Plastic bag top right . Three fishes. Not moving.
Plastic bag bottom left. Four fishes. Moving fast.
LECTURE SERIES ON TRANSCULTURALITY
Throughout the whole semester of the 1st pilot of “Transcultural Collaboration” in autumn 2015 we are having a regular and continuous lecture series framing and defining the program focussing on various aspects of “Transculturality”, which is the core topic of this graduate semester program.
Pictures
HOT POT at Connecting Space
Tutu and Ida in Hong Kong
Tutu and Ida, a team of Chinese and German investigators invite the audience to follow their journeys exploring the unexpected in the city of Hong Kong not knowing where everything will end up.
Project Description
When you go on a journey you have a goal. Most of the time you have a particular place in mind and an idea of what you are going to do there. Most people follow a certain path and even plan their whole trip from the beginning to the end. A map helps you to orientate yourself in unknown places. If you get lost you asked google maps where you are and it leads you to your chosen location. But what happens if you get lost? Maybe you end up somewhere you never would have expected.
What does it feel like to get lost, being a stranger in Hong Kong?
Standing Like a Post
Live Performance by Mayumi Arai & Nina Willimann
Practice 3: Integration
1) to mix with and join society or a group of people, often changing to suit their way of life, habits, and customs.
2) to combine two or more things in order to become more effective.
Practice 2: Renaturalization
As a martial art, T’ai Chi is externally a soft exercise, but internally hard, even as it seeks softness. If we are externally soft, after a long time we will naturally develop internal hardness. It’s not that we consciously cultivate hardness, for in reality our mind is on softness. What is difficult is to remain internally reserved, to possess hardness without expressing it, always externally meeting the opponent with softness. Meeting hardness with softness causes the opponent’s hardness to be transformed and disappear into nothingness.
Practice 1: Uniformity
Uniform adjective: Remaining the same in all cases and at all times; unchanging in form or character. Denoting a garment forming part of a person’s uniform.
Uniform noun: The distinctive clothing worn by members of the same organization or body or by children attending certain schools
working practice
BLOOM ROOM
Three people in a room. Painting, composing, filming. Neck-deep.
Trying to make it bloom. Boom
Humans of TC #7
Simon Dietersdorfer: What is the soundtrack of your life?
Ida Sons: How would you preserve the memories, experiences and emotions during the time in Hong Kong?
Humans of TC #6
Dorothy Wong: Did your perception of Asian/European people change since joining the program?
Fabian Gutscher: Read a part of your motivation letter for this program.
Humans of TC #5
Jude Liu: Do you think animals in captivity consider the zoo as their home?
Benjamin Ryser: What would you do differently if you were the leader of your group?
Humans of TC #4
Ana-Maria Negrea: What is one of your weaknesses?
Charan Li: How would you imagine yourself as a 80 years old?
Humans of TC #3
Mayumi Arai: Does the program have an influence on your personal artistic work and thinking? If not now, can you imagine it having an impact on your work in the future?
Philipp Spielmann: What is your favorite restaurant or best food experience in Hong Kong?
by Jörg Scheller
Hong Kong is probably the worst place for inter- or multicultural romanticism. Whoever believes that cultures, for instance Western and Far Eastern ones, are necessarily distinct entities will be disappointed here. HK rather suggests that singularity and similarity might as well be the two sides of the same coin. Exoticizing and othering tendencies have a hard time in HK, notwithstanding the persistence of difference. Especially HK island is a genuine transcultural place. The “inter” in interculturality presupposes that there are still at least two distinct cultures and a void between them. The prefix “trans” refers to “beyond” and “through”, hence “transcultural” suggests that we can go beyond given understandings of culture, that we can move through cultures.
Bloom Room Trailer
https://www.youtube.com/watch?v=t-fZGqnTDmAVideo can’t be loaded because JavaScript is disabled: Trailer for final art work of Bloom Room (https://www.youtube.com/watch?v=t-fZGqnTDmA) Made by AnaBruceCimon.