All posts filed under: Blog

Insulted lemon forming the jam

The idea to meet continuously, bring to the table of known material, new material and explore materials we haven’t had the chance to explore. Practising in a way of exploration, but also narrowing down our imagination of different possibilities. This is a start to self-reflect and questioning of how to break the limitations and extremities of sound. To impose awareness to the disorientated of information and insight, whilst discovering the uncertainty and suffering of ones endurance through this process of collaboration. …

develop, experiment, set up

When we talk about cultures, it is very natural for us to think about the differences. There are lots of vision in our minds, from our experience, tell us about that. We lived separately for thousands of years.
In the same cyberspace we live together, which is possessing the earth like a ghost, reconstructing where we live and what lives in us. Here the memes travel at the speed of light, cultures beyond the distance are integrated to unify.
The new aesthetic is a being grows from bits, like its father grows from atoms. Creating is not a projection from mind to the world, but an experiment, a feedback loop, communication between us and the aesthetic being. It is not a construction, but an instauration.

process, part 2: one in front of the other

During several mentoring sessions differences according to approaches and interests within the group continued to appear. Additionally the group experienced discomfort while supervisions, but was later benefited from bilateral mentorings. During these sessions, decisions were made like the usage of screens instead of light projectors in the front space of the future performance; or a setting of the space as clear as possible for the movement improvisations and interactions, which would deal with inner and outer spaces of the traditionally framed stage. So the improvisation was also decided to have an open ending. …

Mbene Mbunga Mwambene

Mbene Mbunga Mwambene was born in Kitwe, Zambia but grew up in different towns and cities between Zambia and Malawi. He worked between Malawi and European Theaters from 2012-2015. He studied for a Diploma in Journalism at the University of Malawi before pursuing MA in Theatre at Bern University, Switzerland. He is  a Theatre Artist, Journalist, Poet, Dancer, playwright, and Theatre Director but worked at Nanzikambe Arts but also as a  freelancer artist and journalist. He was also involved in a three year partnership between Theater Konstanz , Germany and Nanzikambe Arts . His actively involved in Hamburg-Blantyre twin sister partnership. His professional acting life has revolved around doing interactive theatre for disadvantaged communities and also performing innovative theatre pieces for local and international audiences. His passion for innovative theatrical productions is also contextualized with the existence of his current solo production entitled The Story of a Tiger, which has been show across Germany, Switzerland, Japan,  Liechtenstein, Ireland, Malawi, and Austria. He also performed “Refugees, I and Switzerland, Waiting for Godot and Body Scan” in Switzerland. .His solo …

Trailer TC 2015 – HOT POT Festival

https://vimeo.com/154307525   This video offers an insight into our two days “HOT POT – Spicy Little Art Festival”, which took place on 20 and 21 November 2015 at Connecting Space Hong Kong and AVA Kai Tak Campus. The festival served as the final presentation format of the first pilot of “Transcultural Collaboration” and was open to the public. Get an impression of the art work of 6 transcultural and cross-disciplinary teams and the great atmosphere of both performance venues! Conception & Direction: Bruce Liu (SCM) & Cimonfinix (ZHdK) Filming: DELTA Creation, Hong Kong Video Editing: Bruce Liu Sound: Cimonfinix

Participants 2015

Lecturers/Guests “Transcultural Collaboration 2015” Responsible Project Coordinators/Lecturers Daniel Späti, Head of Transcultural Collaboration, ZHdK Zheng Bo, Assistant Professor, CityU/School of Creative Media, HK Shi Ke, Associate Professor, China Academy of Art, Hangzhou Jim McGowan, Senior Lecturer (Sound), MFA Coordinator TEA, HK Academy for Performing Arts Lecturers Heinrich Lüber, Artist, Head of MA Art Education ZHdK Kingsley Ng, Artist/Designer, HK Baptist University Florian Dombois, Artist/Researcher/Lecturer, ZHdK Hongjohn Lin, Chair Fine Arts Dep. and Transdisciplinary Studies, TNUA Jörg Scheller, Curator/Theorist, Head of BA Photography, ZHdK Nuria Krämer, Head of Connecting Space HK, ZHdK Stephen Cheung, Head of Graduate Education Centre, HKAPA Hayat Erdogan, Dramaturgist/Theorist, ZHdK Matthias Ziegler, Musician/Lecturer ZHdK Patrick Müller, Head of Connecting Spaces HK-ZH, Head of MA Transdisciplinary Studies ZHdK various additional lecturers SCM, CAA, HKAPA, … Assistants Christopher Kriese, Director, Assistant BA Directing ZHdK Katja Gläss, Artist/Photographer, Research associate MA Transdisciplinary Studies ZHdK Andrea Roca, Designer/Curator, Associate researcher Design Departement ZHdK External Guests Zhao Chuan, Director/Author, Shanghai Eisa Jocson, Dancer/Choreographer, Manila Björn Beneditz, Artist and Member of German pop band Deichkind Hamburg Xiaolu Guo, Novelist/Film Director, China Jay Forster, Art Director, …

Lecture Series and Conference on Transculturality – Beyond Purity

This lecture series and seminar will frame the 2nd edition of a transcultural and cross-disciplinary graduate semester program entitled “Transcultural Collaboration,” a new educational format and initiative involving various art universities from Switzerland, Hong Kong, China, Taiwan, Japan, and Singapore. The program rests on the fundamental need to discuss and understand “globalization” and the questions and issues arising therefrom. It is obvious that globalization not only involves the expansion of production, consumption, and communication, but also the problems, and the potentials, of differentiation/distinction, of provoking otherness, of different forms of cultural evolution and blending, and of influencing power structures.

You wanna risk a life without risk?

Lecture by Jörg Huber and Daniel Späti
Taking a risk is usually more often associated with danger than with a chance that opens up new perspectives. In our daily life we are trying to secure and assure as much aspects possible, which starts with prenatal diagnostics even before we are born. We are (made being) afraid of the unknown and uncertain because it’s BEYOND of our control. …

Can the Biennial save the world?–The case of the Taipei Biennial 1996-2016

Lecture by Manray Hsu
The contemporary art biennial is a global phenomenon. As part of cultural apparatus of modernity, the art biennial, like international expos, tends to be future-oriented, often with an optimistic, or even utopian tone. Just as modern utopian promises have been constantly broken, biennials (again, like expos) rarely if not never live up to what they propose to show on the exhibition level, let alone the social changes promised. Hence the so-called “biennial bashing,” prevalent in art circles around the world.

Film Screening: Double Happiness

A film by Ella Raidel
“Double Happiness” takes the Chinese copy of Hallstatt, a small idyllic town in Austria, as the starting point to explore China’s Fast urbanization. Chinese cities are built where histories and memories can be easily forgotten and thus rewritten. …

Vision of Salome

Yuki Kihara’s illustrated lecture entitled Vision of Salome, centers on works she has produced in the last decade or so where she features herself in the guise of ‘Salome’ – a Samoan woman in Victorian mourning dress appearing in across video, live performance and photographic mediums while subverting historical cross-cultural representations of Pacific people, unpacking the myth of the Pacific as paradise and critiques the imposition of European concepts of gender and sexuality onto colonized peoples.

Lectures

Mi You, Researcher/Curator, Academy of Media Arts, Cologne
Nina Willimann, Choreographer/Performer, MA Transdisciplinary Studies ZHdK
Prof. Dr. Andreas Langenohl, Justus Liebig University Giessen, Department of Sociology

Panels

Collaboration in the Arts & Design & Collaborate!
Presentation of two international programs and initiatives at ZHdK (a. Mona Mijthab on her research/product development projects in Africa/India; b. Christoph Schenker & Gitanjali Dang on Draft Projects.

Heavy Metal and the Evolution from Identity to Interity

Lecture by Jörg Scheller
In the late 1960s and early 70s, Heavy Metal emerged as a distorted, extreme version of blues, rock’n’roll, rock and hard rock. It was only in the late 70s that it turned into a fully-fledged genre with clearly delineated boundaries and distinct characteristics: heavily distorted guitars, double-bass drumming, virtuoso solos and aggressive vocals. Soon, notions such as “true metal” (Manowar) or “classic metal” were used to stress that Heavy Metal was a self-contained, independent movement. …

Alternative Narratives, New Perspectives, Different Truths

Elizabeth de Roza talk was about Project 50/100. It was a series of events that ran parallel to SG50 (a celebration of Singapore 50 years of celebration). The series of events offered alternatives, new perspectives and a platform of possibilities that were not part of the main SG50 celebration. Project 50/100 created counterpoint to what is out there as well as a bringing into being or to wider consciousness of what is not there. A kind of “uncovering the unseen, unheard and unacknowledged, reclaiming and reaffirming physical, artistic and intellectual neglected spaces, and hence enriching through diversity”.

The Function of Art during the Umbrella & Sunflower Movement

Yenchen Wang and Wen Yau
This talk will focus of the function of art in protest culture, while examining different positions in the context of Taipei and Hong Kong. During the Umbrella Movement in Hong Kong many protesters started creating art on the streets. For the students involved in the “Umbrella Revolution”, their art was a primary vehicle of expression.

Film Screening: The Double Life of Li Xianglan

A Film by Mei-Juin Chen
This year marks the 70th anniversary of the end of World War II. Many historians place the start of the conflict in China with the Japanese invasion of Manchuria. This one-hour documentary offers a unique perspective on the political and cultural upheaval that followed. It traces the rise and fall of Li Xianglan, a.k.a. Shirley Yamaguchi, who deftly navigated the clash of nations to become one of Japan and China’s biggest movie stars during World War II. …

Shifting Perceptions

We live in a globalized world. It’s dynamics bring out fundamental and irreversible changes everywhere. These changes come along with anxiety and suspiciousness, especially toward the transcultural dimension of globalization. Art can shift perception, it has a sensual willingness in its approach to the world, that opens our way of looking and thinking. …

The Assumption of the Virgin

The Assumption of the Virgin is a space that showcases a range of individual photographs highlighting femininity, body, gender identity and sexuality. Through countless of discussions about personal experiences of sex, sexuality, gender roles, body image; the lasting image was to create an intimate, personal and intense visual and sound platform. The setting of the bathroom with red lights, highlights the use of personal space when one needs to use the bathroom, but also an underline of ‘sexiness’ and also erotic sense.

Con-Netting

The net is the beginning of everything, the start of transformation and connection. It is the testing ground, to turn a tool of daily life into something different. Using the net to fill up the room, it first becomes soft installation. It is all surrounded, one feels trapped and sometimes escaped from it. Then it becomes a projection surface.

Lecture Series: In Between

Lecture by Prof. Isabel Mundry, Composer Until the end of the 20th century the idea of the music of the avant-garde was to define its development by continuously further differentiate itself. The music was focussed on its own rules, its abstraction, its purity. Nowadays the “music of the avant-garde” does not exist anymore. Instead there are individual works and positions, that define their own framework and follow specific questions. As a result every piece of music needs to ask about its inside and outside. What is the own, thus the pure, and what’s the alien? With each inter- or transdisciplinary work, we encounter these questions, but also with every artistic reference to a topic outside the arts. Based on her own work, Isabel Mundry will describe, how musical articulations and extra-musical references are getting connected. Her main topics will be public spaces and transitions between art and nature. Isabel Mundry was born in Schlüchtern (Hesse, Germany), raised in West Berlin. Studies composition with Frank-Michael Beyer, Gösta Neuwirth and Hans Zender at the „Universität der Künste Berlin“ …

THE GARDEN OF SILENCE

Impressed by the abundance of noise in the City of Hong Kong, we set out on a quest to investigate the sources of this omnipresent intrusion on our senses. Seeking out the origins of the everyday acoustic background, we very soon pondered on the quality of noise. Is it something undesirable that has to be purged, or is suppressing it a form of censorship? Why do we have a need for both silence and disorder? Is there a ideal balance between the two? Inspired by the principle of noise cancelling, we constructed a space where in theory, three phase-inverted sources of noise recordings we did in Hong Kong should cancel each other out and add up to silence. Viewers may enter this space to experience the interaction of the three sources and with luck, perhaps, find a small pocket of silence amidst the chaos. As expected, the noise cancelling function did not work out perfectly. It was, however, up to each individual to explore the meanings of the experiment. Can one indeed cancel noise with …

Art and Cultural Interactions

As discussed by Wolfgang Welsch, “The concept of transculturality aims for a multi-meshed and inclusive, not separatist and exclusive, understanding of culture.” As such the dissolving boundaries between cultures and new cultural forms have been developed. This lecture will trace the cultural interactions through artworks made since the sixteenth century to present to highlight how different cultural legacies are intertwined with one another. …

Self-Presentations Participants

Every participant is asked to give an insight to her/his artistic work as well as about her/his personal background like cultural origins, important ethical values, concerns and current issues they think are relevant. It’s suggested to think of a way to present the work in a different way than usual, which is rather experiential oriented (for example by doing, showing, performing, interacting,..) instead of (too much) talking and it explicitly should not be a regular “power point presentation”.

WE, THE GARBAGE, THE LIFE

A Project by Mbene Mwambene, Sylvia Liu Yang, Going Ying Hsiu Kuo and Andreas Mayer   On paper everything is pretty painted in white and black. Hong Kong is one of the densely populated places in the world. The economy is fast booming hence the volumes of garbage shoots up the ladder. Wastes in Hong Kong are first collected from disposal bins to refuse transfer stations (RTS). After they are compacted and put in containers, they are delivered to disposal lands or recycling centers. Those which can be recycled are recycled, some are burnt to create and some sent to land fills. Done and dusted. There are hundreds of collectors in the territory where wastes are located before transferring to refuse transfer stationsThere are seven refuse transfer stations in the territory. They serve as centralised collection points for the transfer of waste to the strategic landfills. Operated by the EPD, the landfill sites only accept garbage from Hong Kong. Thirteen of 16 landfills were closed from 1988 to 1996. There are also 13 closed landfills. The closed …